Showing posts with label Celtic. Show all posts
Showing posts with label Celtic. Show all posts

Wednesday, January 19, 2011

Walking the Spiral: Brigid: Igniting the Inner Fire

Within the deepest reaches of the inner darkness, there exists the smallest ember.  It is a tiny spark of light, that once given the proper fuel, has the potential to ignite into a blazing fire.

Brigid, the ancient goddess of creativity, inspiration, poetry, metal-working and healing, is a goddess of fire, but not the kind of fire made of flames.  This fire is the divine spark, the ember at the core that ignites the body, mind and spirit into life.  It can be related to the Kundalini energy rising up from the base of the spine to the crown of the head, activating power centers throughout the body. Brigid is associated with the dawn, because, like the sun rising out of the darkness, we hold in ourselves the potential to rise above our own inner dark.

This painting came after a long period of introspection.  I was facing a challenge in regard to the direction of my art and was contemplating my ability to make a living from my paintings while following the spiritual path they were taking me on.  Could I do it? Was it right to do so?  Working on "The Morrigan" lead me to the darkness of this introspection.  I learned that I had a connection to fiber as a creative medium.  I developed skills in making sculpture from wool, which allowed me to continue making an income through my artwork, while I could let the paintings reveal themselves in their own time without the added pressures to produce and market them.  Working on "Brigid: igniting the inner fire" lead me from the darkness of uncertainty and fear out into the light.

DoAn
Help in the creation of art, please consider donating! Just click on the link below:
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DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of DoAn Art must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.
 
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All artwork, photos and text © Copyright 2005-2011 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Thursday, October 28, 2010

Embracing the Spirit of Halloween



For most, Halloween is the day to dress up in crazy costumes, go to parties, lead children to stranger's houses to collect candy, and, for many adults, to act like children.  America is really good at degrading traditions to its most base of qualities.  I have long thought it strange that Americans have adopted an old pagan holiday, but then, the holiday hasn't really been adopted, as much as usurped and corrupted.
Celebrating Halloween doesn't have to be just frivolous and empty fun.  It also doesn't even have to be observed in conflict with non-pagan religious belief.  At the heart of Halloween is a celebration of the closing of the year and an honoring of the spirits of our ancestors.

We see the cycle of death around us, as the landscape transforms and goes into its dormant stage.  It makes sense that the Celts would see this as the end of the year, for endings are occurring all around us at this time.  This becomes  a wonderful time to reflect on all that came in the previous months and let go of the negative influences and burdens of the previous cycle, while celebrating the achievements and preparing for the new.  It is not certain where the idea of costumes came in, there are lots of speculation, but nothing conclusive.  I like to think of dressing up as a way of re-creating your new self for the coming year.  It is an opportunity to try on a new identity, see how it fits, before starting the new cycle.  We are not limited to mundane, well-defined roles.  We can become archetypes, heroes, spirits, fantasy creatures whose attributes of which we can connect to and carry through into the next year. 

There is a dark aspect to Halloween.  Many dress as monsters, attend haunted houses,  talk of the ghosts and ghouls that run rampant through the neighborhood. I think much of this stems from a very deep-rooted fear and misunderstanding of death and endings in general.  But, if we look at this dark aspect as something positive,  rather than frightening, what might we discover?

The painting posted here is of The Morrigan: The Dark Mother, the ancient goddess of death and fertility and the land, now most commonly associated with ancient Irish myth.   The Morrigan is a symbol representing the dark aspects that we all experience and possess within. Everything emerges from the dark, the child from the womb, the day from night, light from the void, and The Morrigan symbolizes the power that exists within this place of potentiality. She is the perfect symbol for Halloween as we celebrate the end of the cycle by returning to the dark and beginning the cycle again. We acknowledge that day gives way to night, that the trees and plants die around us, only to return again with the light of spring.

The dark aspect is not something to be feared, for to fear the dark, is to be afraid of our own nature and the action of creation itself. Darkness is to be understood as part of a natural cycle of rise and fall, expanding and contracting, reaching out and turning inward.  The symbol of The Morrigan offers us a way to understand and navigate the dark paths throughout our life, if only we overcome our fears and reach out to accept the “fruit” (or perhaps candy!) of knowledge she offers us.  I am not suggesting that we all worship and idolize the image of The Morrigan, instead, I am encouraging that you look upon her as a symbol and archetype, representing the energies and qualities that your particular belief system supports.  You can find your own symbol that represents the qualities of The Morrigan and use that to help you connect to the energies of the season.

Ultimately, Halloween can be a day of transformation and an evening of celebration, it doesn't have to be empty and meaningless.  We can use this time to honor what has passed before us, let go of that which burdens us, and remember our ancestors who sacrificed their lives to give us what we have today.

Have a safe and TRANSFORMATIVE Halloween! 

DoAn
Help in the creation of art, please consider donating! Just click on the link below:
Donate now!  
DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of DoAn Art may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.
 
Subscribe in a reader
All artwork, photos and text © Copyright 2005-2010 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Saturday, October 31, 2009

Honoring the Spirit of Halloween

Today is Halloween.  For most, today is the day to dress up in crazy costumes, go to parties, lead children to stranger's houses to collect candy, and, for many adults, to act like children.  America is really good at degrading tradition to its most base of qualities.  I have long thought it strange that Americans have adopted an old pagan holiday, but then, the holiday hasn't really been adopted, as much as usurped and corrupted.

Celebrating Halloween doesn't have to be just frivolous and empty fun.  It also doesn't even have to be observed in conflict with non-pagan religious belief.  At the heart of Halloween is a celebration of the closing of the year and an honoring of the spirits of our ancestors.

We see the cycle of death around us, as the landscape transforms and goes into its dormant stage.  It makes sense that the Celts would see this as the end of the year, for endings are occurring all around us at this time.  This becomes  a wonderful time to reflect on all that came in the previous months and let go of the negative influences and burdens of the previous cycle, while celebrating the achievements and preparing for the new.  It is not certain where the idea of costumes came in, there are lots of speculation, but nothing conclusive.  I like to think of dressing up as a way of re-creating your new self for the coming year.  It is an opportunity to try on a new identity, see how it fits, before starting the new cycle.  We are not limited to mundane, well-defined roles.  We can become archetypes, heroes, spirits, fantasy creatures whose attributes of which we can connect to and carry through into the next year. 

There is a dark aspect to Halloween.  Many dress as monsters, attend haunted houses,  talk of the ghosts and ghouls that run rampant through the neighborhood. Much of this stems from a very deep-rooted fear and misunderstanding of death and endings in general.  But, if we look at this dark aspect as something positive,  rather than frightening, what might we discover?

The painting posted here is of The Morrigan, the ancient goddess of death and fertility and the land, now most commonly associated with ancient Irish myth.   The Morrigan is a symbol representing the dark aspects that we all experience and possess within. Everything emerges from the dark, the child from the womb, the day from night, light from the void, and The Morrigan symbolizes the power that exists within this place of potentiality. She is the perfect symbol for Halloween as we celebrate the end of the cycle by returning to the dark and beginning the cycle again. We acknowledge that day gives way to night, that the trees and plants die around us, only to return again with the light of spring.

The dark aspect is not something to be feared, for to fear the dark, is to be afraid of our own nature and the action of creation itself. Darkness is to be understood as part of a natural cycle of rise and fall, expanding and contracting, reaching out and turning inward.  The symbol of The Morrigan offers us a way to understand and navigate the dark paths throughout our life, if only we overcome our fears and reach out to accept the “fruit” (or perhaps candy!) of knowledge she offers us.  I am not suggesting that we all worship and idolize the image of The Morrigan, instead, I am encouraging that you look upon her as a symbol and archetype, representing the energies and qualities that your particular belief system supports.  You can find your own symbol that represents the qualities of The Morrigan and use that to help you connect to the energies of the season.

Ultimately, Halloween can be a day of transformation and an evening of celebration, it doesn't have to be empty and meaningless.  We can use this time to honor what has passed before us, let go of that which burdens us, and remember our ancestors who sacrificed their lives to give us what we have today.

Have a safe and transformative Halloween!

DoAn
Subscribe in a reader

Donate now!
DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of DoAn Art must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law. 

All artwork, photos and text © Copyright 2005-2009 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Monday, November 17, 2008

The Spiral and a New Logo

Some of you may have noticed that the DoAn Art logo recently changed. Over the last two years I have seen my art develop and evolve in a direction that was less rooted in Asian traditions as it used to be. Traditional Asian painting techniques will still be a big influence in my art, however, I wanted to open my work up to a more universal source, rather than be tied to one particular culture. I meditated for some time on what symbol would best represent my work and it wasn’t long before the spiral appeared in my mind’s eye. I immediately knew it was the right symbol for my logo. But it did take some teasing and study to get that image out of my mind and into the shape of a logo.

I learned that the spiral is a powerful symbol, long held in high regard by nearly every culture on earth. The Romans and Greeks used spirals to decorate pottery and temple columns. The Celtic and Nordic people used the spiral to decorate jewelry, clothing, weaponry and many other objects. The megalithic peoples of Europe carved spirals into many of their stone structures. The Australian Aboriginals used coiled snakes to represent the spiral and Islamic art used the mathematical principals of the spiral.

The spiral appears in nature. Geothe noted that many plants grew in a spiraling motion and that many seeds and flower petals formed spiral patterns. The spiral can also be found in the movement of the tides and winds as well as in the growth of shells and horns.

Symbolically the spiral can represent the growing and waning influence of the sun as it moves through the cycle of the year. Or it can represent the cycles of life and the rhythm of coming and passing, such as in the seasons, or of life and death itself. By the curving path of the lines, the spiral links outside to inside, space and spacelessness, time and eternity, material and spirit. I have even used the spiral in my own artwork. If you look at my last painting The Honeybee, I centered the thorax of each bee over the path of a spiral.

As a result of my meditation and study, I decided to develop a logo utilizing the symbol of the spiral. I also made two spirals emerging from a single source, perhaps they are merging into one, or maybe it is both simultaneously. I wanted a logo that symbolized how my art comes from a common source, a universal place that we all share. It is my hope that my art will connect me to other people, to nature, and to all that makes up the world we know and don’t know. I also believe that the spiral adequately represents the patron-artist relationship, where two people work together toward one goal, unifying their energies for a common purpose. Over time, I am sure my logo will continue to develop, but for now I believe this new design best represents my art and what I hope to achieve through it.

I hope you enjoy the new design! Please take a moment to look for how the spiral informs and influences your own life!

DoAn

Subscribe in a reader

Donate now!

DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of DoAn Art must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law. 


All artwork and text © Copyright 2005-2011 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Wednesday, April 23, 2008

Ériu – Queen of the Emerald Isle

Ériu was the sovereign earth-mother goddess of Ireland. She was one of a triad of goddesses: her sisters, Banbha and Fodla, were also goddess queens of the land. Ériu was married to the King Mac Gréine (Son of the Sun), who was himself the son of the Dagda, the father god of the Tuatha dé Danann.

When the Milesians (the humans) came to the Emerald Isle, they were confronted by the three sisters, each of them offered the island in exchange that the land be named after them. Banbha and Fodla became poetic names for the island, while Ériu became the chief name. We now know the land as Ireland, the root of the name coming from the name Ériu.

Ériu was an earth goddess, and this painting focuses primarily on that aspect of her. I wanted to tune in to earth energies rather than focus on form. As I worked on the piece, I filled my mind with images of Ireland, the land itself, and its plentiful plant and animal life. I used a photograph of a moss and lichen covered rock in Ireland as a guide to the composition. The range of colors in the painting reflect Ireland’s lushness and richness of life.

Ériu was also considered a solar goddess, through her marriage to Mac Gréine. When Ériu, as queen, conferred the land to the new human king, she offered him wine in a golden cup. Wine was the symbol of the earth, rich with life and plenty while the cup symbolized the sun, the source of illumination and healing. By using glazing techniques, I incorporated qualities of the sun in the painting as well. Glazing requires very thin layers of color layered over each other. The light shines through the transparent layers to the white canvas below, when the light bounces back, the colored layers blend, creating the different hues. I used only Hansa Yellow Light, Phthalo Blue, and Alizarin Crimson in the paintings. I didn’t mix colors on a palette. All the different colors appear solely from light blending together the multiple layers of color.

Ériu was also a goddess of sovereignty. In ancient times, the Celtic kings were married to the goddess of the land. It was the king’s responsibility to please the goddess, to make sure no one died in childbirth, that the food should grow plentifully, and so on. If the goddess was happy, the people thrived and were happy. If the king was unable to fulfill these duties—the king would be overthrown, having lost favor with the goddess.

I think about how such beliefs truly bonded people to the land they lived on. It was much more difficult to disrespect the land, or to take without first obtaining the permission of the land itself. How many of us today take a moment to consider how our actions affect the land we live on? If we thought of the earth as a living being would it be as easy to treat it so poorly? Imagine how much better off the environment would be if we each thought of ourselves married to the land?

DoAn

Prints are available at Fine Art America 

(Ériu: Queen of the Emerald Isle, 30” x 30”, acrylic on canvas)

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