Showing posts with label imbolc. Show all posts
Showing posts with label imbolc. Show all posts

Thursday, February 02, 2012

Finding Light in Dark

Photography Prints
I've been listening to Welcome Brigid by Katy Taylor. A collection of songs and prayers about Brigid and Mary.  It has helped me find a calm point during a chaotic time. 

As I write this today, it is Imbolc, the holiday that celebrates the goddess Brigid.  In ancient times, Brigid was important for she represented the return of the sun and warmth to the land.  Sheep begin lambing at this time and people attributed it to Brigit. 

Today, our lifestyles are less dependent on the timing of such things.  With the changing of the climate we are going through, it seems that the traditional time of celebrating Imbolc may need to change.  However, the spirit of the Brigid still has relevance in our modern lives.  We still have a need to honor wisdom, perfection, intelligence, creativity, poetic eloquence, healing, mystical knowledge and many of the other qualities the Brigid embodies.  Taking a moment this time a year to reflect on these qualities is one of the best ways to invite them into our lives.

Here is a poem by Lady Gregory, which was made into a song by Katy Taylor:


Poem to Brigit
It is what Brigit had a mind for
Lasting goodness that was not hidden
It is what Brigit had a mind for
Tending sheep and rising early
Hospitality toward good men
It is she keeps everyone
Who is in straits and in dangers
It is she puts down sicknesses
It is she quiets the voice of the waves
And the anger of the great sea
She is the queen of the south
She is the mother of the flocks
She is the Mary of the Gael
Happy Imbolc to everyone.  I wish that wisdom, healing and creativity finds a way through the dark to light your soul.

DoAn

Poem text: Lady Gregory from A Book of Saints and Wonders, c. 1972, Colin Smythe Ltd, UK—Irish stories, orig. pub. in 1906


Help in the creation of art, please consider donating! Just click on the link below:
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DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of DoAn Art must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.
 
 
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All artwork, photos and text © Copyright 2005-2012 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Tuesday, February 01, 2011

Observing Midwinter

Brigid: Igniting the Inner Fire

We have arrived at the midpoint between winter solstice and the spring equinox. In the ancient times this was a time to acknowledge that spring was not so far away, despite the tight grip winter still had over the land.

The ancient Irish Celts called this time Imbolc (im’olc) and it was the time of the winter hag, the Cailleach. The Myths tell us that on this day, she wandered out to gather her firewood for the remaining days of winter. If she felt strong and wanted to make winter last longer, she will make sure Imbolc was a sunny, clear day, so that she could easily gather firewood. People would use Imbolc day as a predictor of the length of winter. If the day was dark and weather foul, then the Cailleach was sleeping and winter would soon be over.

Imbolc was traditionally celebrated on the full moon closest to the midpoint between the winter solstice and the spring equinox. In more contemporary times, the holiday is celebrated on February 2nd. Groundhog’s day, with its prediction of the coming of spring, is very likely a modern remnant of the ancient holiday of Imbolc. 

Many other cultures found this time of year to be important. The Greek myth of Persephone returning from the underworld was enacted at this time of year as part of the Eleusinian mysteries, to celebrate the coming of spring. The Romans celebrated Lupercalia, which honored the founding of the city of Rome by the twins Romulus and Remus. The ancient Egyptians celebrated the Feast of Nut, whose birthday was February 2nd (according to the Gregorian calendar). Nut was the mother goddess to the sun god Ra. The Catholics celebrate Candlemas, having usurped the holiday from the native European pagans.

For the ancient Gaels, this time of year was particularly harsh. It was considered the dead month. But, despite the harsh winds and icy rain that fell, signs of spring could be found. Ewes began to lactate, Cows gave birth, Ravens started to build nests, and green buds started to appear on branches and poking through the dirt.

The holiday was sacred to the goddess Brigid, who became Saint Brigit when the Catholics took on the holiday. Brigid was the patron goddess of Fire, Poetry and Healing and symbolized by a spiral. Imbolc was important because it fell on an in-between time, a very powerful and sacred time for the Celts. Brigid, if properly respected, brought the flame of spring, healed the dead-time, and brought words to the poets lips. Her miraculous powers could change water into ale and stone into salt. With boundless generosity she fed birds, animals, and the poor, and they all loved her in return.

Rabbits and Hares are also ancient symbols of spring. Hares sleep in nests or “forms” which look very similar to the nest of the lapwing bird. The lapwing builds its nests on the ground and in spring the nests are filled with eggs, which people took to be hare’s eggs. The hare was an emissary of the Otherworld and a symbol of the in-between time, which made Imbolc a such a sacred time. It is also the time of year that the footprints of rabbits and hares can be seen in the snow, as they search out the tender green shoots to eat and court their mates.

In modern practice, Imbolc can be seen as a time to look bravely into the darkness and bear witness to the growing light. It is a time of renewal, of re-affirming those resolutions we took at the beginning of the year to better ourselves. Now is the time to understand that no matter how difficult and dark things may appear to be, it will pass, for in order for darkness to exist light must exist as well.

On February 2nd, or perhaps before the next rise of the full moon, take a moment to sit in a darkened room. Meditate upon what you would like to see grow in health and strength this year: for yourself, your family, your community, the Earth. Meditate on the darkness in your life, look to what it can teach you, then light a candle, or many candles, fill the room with light and celebrate in the knowledge that the dark times will soon come to an end. With the lighting of the candle, you ignite the flame of your soul, offering strength to last through the remaining dark times.

DoAn
Help in the creation of art, please consider donating! Just click on the link below:
Donate now!  
DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of DoAn Art must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.
 
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All artwork, photos and text © Copyright 2005-2011 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Friday, January 29, 2010

Brigid: Igniting the Inner Fire



Brigid, whose name means “fiery arrow”, was beloved of the Irish Celts, and survived Christian conversion by becoming a Catholic Saint who is still revered to this day.  For the ancient Irish, Brigid was the goddess of all things lofty and elevated, such as high rising flames, upland areas, wisdom, perfection, intelligence, creativity, poetic eloquence, blacksmithing, healing, mystical knowledge, and warfare.  She was the daughter of the Father god, the Dagda of the Tuatha Dé Danann.  Some stories suggest that her mother was The Morrigan, the dark goddess, and with her birth she brought light from the void.


She was considered a solar goddess, and stories of her birth recount her rising from the earth into the sky along with the rising sun with rays of light emanating from her head. With every step she took flowers sprouted and birds sang and soared in the air.  Though she was associated with the sun, it was not the physical sun she represented, but the healing energy associated with it.  Snakes are sacred to Brigid, symbolizing  regeneration and the rising of the kundalini energy that exists and rising within each of us when we are healthy and balanced.

The blackberry is sacred to Brigid, and serves to symbolize her strong protective nature with its defensive thorns, and arching, tangled canes, as well as her healing nature by providing nourishing berries and herbal healing remedies.

Throughout Ireland, one can find shrines built over or near natural springs where people go to pray and receive her healing energy through her sacred waters. 

Imbolc was a significant holiday associated with Brigid.  In the ancient times this was a time to acknowledge that spring was not so far away, despite the tight grip winter still had over the land.  For the ancient Gaels, this time of year was particularly harsh.  It was considered the dead month.  But, despite the harsh winds and icy rain that fell, signs of spring could be found.  Ewes began to lactate, Cows gave birth, Ravens started to build nests, and green buds started to appear on branches and poke through the dirt.

Imbolc was important because it fell on an in-between time, a very powerful and sacred time for the Celts.  Brigid, if properly respected, brought the warmth of the sun, the flame of spring, healed the dead-time, and brought words to the poet’s lips.  Her miraculous powers could change water into ale and stone into salt. With boundless generosity she fed birds, animals, and the poor, and they all loved her in return.

Rabbits and Hares were also ancient symbols of spring.  The hare was an emissary of the Otherworld and a symbol of the in-between time, which made Imbolc a such a sacred time.  It is also the time of year that the footprints of rabbits and hares can be seen in the snow, as they search out the tender green shoots to eat and court their mates.  The snowshoe hare, with its ability to change its coat through the seasons, symbolizes the creativity embodied by Brigid. 

In modern time, Brigid can teach us to look bravely into the darkness and bear witness to the growing light.  It is a time of renewal, of re-affirming those resolutions we took at the beginning of the year to better ourselves. Now is the time to understand that no matter how difficult and dark things may appear to be, it will pass, for in order for darkness to exist light must exist as well. 

She asks us to apply creativity to our lives, to live with passion and in accord with our spirit.  A life that is full of passion, creative and healthy is blessed and burns with Brigid’s fire.

Brigid’s fire is the spark of life.

DoAn


Prints and Greeting Cards are now available at my Print on Demand page: http://fineartamerica.com/featured/1-brigid-doan-art.html

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DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of DoAn Art may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

All artwork, photos and text © Copyright 2005-2009 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Saturday, January 31, 2009

What Midwinter Can Teach

Snowshoe Hare (graphite) by DoAn
We have arrived at the midpoint between winter solstice and the spring equinox. In the ancient times this was a time to acknowledge that spring was not so far away, despite the tight grip winter still had over the land.

The ancient Irish Celts called this time Imbolc (im’olc) and it was the time of the winter hag, the Cailleach. On this day, she wandered out to gather her firewood for the remaining days of winter. If she felt strong and wanted to make winter last longer, she will make sure Imbolc was a sunny, clear day, so that she could easily gather firewood. People would use Imbolc day as a predictor of the length of winter. If the day was dark and weather foul, then the Cailleach was sleeping and winter would soon be over.

Imbolc was traditionally celebrated on the full moon closest to the midpoint between the winter solstice and the spring equinox. In more contemporary times, the holiday is celebrated on February 2nd. Groundhog’s day, with its prediction of the coming of spring, is very likely a modern remnant of the ancient holiday of Imbolc.

Many other cultures found this time of year to be important. The Greek myth of Persephone returning from the underworld was enacted at this time of year as part of the Eleusinian mysteries, to celebrate the coming of spring. The Romans celebrated Lupercalia, which honored the founding of the city of Rome by the twins Romulus and Remus. The ancient Egyptians celebrated the Feast of Nut, whose birthday was February 2nd (according to the Gregorian calendar). Nut was the mother goddess to the sun god Ra. The Catholics celebrate Candlemas, having usurped the holiday from the native European pagans.

For the ancient gaels, this time of year was particularly harsh. It was considered the dead month. But, despite the harsh winds and icy rain that fell, signs of spring could be found. Ewes began to lactate, Cows gave birth, Ravens started to build nests, and green buds started to appear on branches and poking through the dirt.

Photography Prints
The holiday was sacred to the goddess Brigid, who became Saint Brigit when the Catholics took on the holiday. Brigid was the patron goddess of Fire, Poetry and Healing and symbolized by a spiral. Imbolc was important because it fell on an in-between time, a very powerful and sacred time for the Celts. Brigid, if properly respected, brought the flame of spring, healed the dead-time, and brought words to the poets lips. Her miraculous powers could change water into ale and stone into salt. With boundless generosity she fed birds, animals, and the poor, and they all loved her in return.

Rabbits and Hares are also ancient symbols of spring. Hares sleep in nests or “forms” which look very similar to the nest of the lapwing bird. The lapwing builds its nests on the ground and in spring the nests are filled with eggs, which people took to be hare’s eggs. The hare was an emissary of the Otherworld and a symbol of the in-between time, which made Imbolc a such a sacred time. It is also the time of year that the footprints of rabbits and hares can be seen in the snow, as they search out the tender green shoots to eat and court their mates.

In modern practice, Imbolc can be seen as a time to look bravely into the darkness and bear witness to the growing light. It is a time of renewal, of re-affirming those resolutions we took at the beginning of the year to better ourselves. Now is the time to understand that no matter how difficult and dark things may appear to be, it will pass, for in order for darkness to exist light must exist as well.

On February 2nd, or perhaps before the next rise of the full moon, take a moment to sit in a darkened room. Meditate upon what you would like to see grow in health and strength this year: for yourself, your family, your community, the Earth. Meditate on the darkness in your life, look to what it can teach you, then light a candle, or many candles, fill the room with light and celebrate in the knowledge that the dark times will soon come to an end. With the lighting of the candle, you ignite the flame of your soul, offering strength to last through the remaining dark times.

DoAn
Subscribe in a reader

Donate now!
DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of DoAn Art must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law. 


All artwork and text © Copyright 2005-2009 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

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